You can create fantastic styles with gradients, form various metals imitations to a fading type of style Gradient: to make one set a minimum of two colors.Color: as the Size and Position, this is the essential setting because it sets the color of the outline.If you plan to use it in digital, I suggest using different Blending modes to give you the same result.Īnother great option can be found in the next section – Fill Type, and we are going to look at this setting next. The part where the yellow goes over cyan becomes green.Īs you can see, the Overprint option is oriented towards the printing process. Let’s see an actual example of printing yellow color over cyan. The combination of two different colors creates the third color. It is used when you print color over another color. However, It comes in handy in some cases, so let’s learn more about it. It’s the option that you will really use, if even. So if you have a Photoshop older than that, don’t worry. The next in line is the Oveprtint option that was added to the Photoshop CC 2015. Tip: Applying different Blending and Oppactiy options works especially great if you have a picture underneath the text layer.
The closer to zero you set it, the more transparent stroke will become. With this set up you will influence the transparency of the stroke. This is another known option in Adobe Photoshop. In this example, I’ve cranked up the stroke to 5px to make the effect more pronounced and used the Overly Blending mode. Setting it to the outside is, on the other hand, is suitable for thinner and serif fonts. In that way, the stroke of individual letters won’t be fused together. The inside option is convenient when you have tight letter spacing. You can apply the stoke position to the outside, center, or inside. Therefore the effect is the most noticeable when you’re using medium up to heavy/black font-weights. In this case, the thin serif lines will be blended together without any additional spaces between the strokes’ line. The same can also happen when you set it to the serif font. If the letters you’re applying the effect to are thin, this can merge different parts of the letters’ stroke. Why might you ask? Because it affects the placement of the stroke. Contrary, the lower number will give you a thinner stroke. If you want a thicker outline, you’ll have to increase the number. The first setting you can change is the size of the outline. You can also see all the alternations you’re creating on the right side in the so-called Thumbnail settings preview. IMPORTANT TIP:īe sure to check the Preview checkbox on the right side of the Layer Style pop-up window, so you will see the changes you make in real-time. The second one already opens up Stroke settings that you’ll be working on. If you go with the first option by double-clicking, you have to navigate the Stroke option afterward.